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Alberta Arthurs
Alberta Arthurs is an Associate at MEM Associates, a consulting group in New York City.
She served as Co-Director for The American Assembly on The Arts and the Public
Purpose and has been Director of the Project on Culture and Development at the
Council on Foreign Relations, and a University Fellow at The New School for Social
Research. For more than a decade Arthurs was Director for Arts and Humanities at The
Rockefeller Foundation where she oversaw national and international programming in culture
and scholarship. She was President and Professor of English at Chatham College for five
years and has held teaching and administrative positions at Harvard, Rutgers, and Tufts
Universities. She has served on a number of corporate and not-for-profit boards and
advisory committees, including (currently) Technoserve, The Thomas S. Kenan Institute for
the Arts, National Video Resources, The Salzburg Seminar, and the Center for Arts and
Culture. A prolific lecturer on the arts, higher education, and contemporary values, Dr.
Arthurs has written essays for American Arts, The Los Angeles Times, Prairie
Schooner, and many other publications.Milton J. Cummings,
Jr. back to top
Milton C. Cummings, Jr. is a professor in the political science department at Johns
Hopkins University. Professor Cummings worked for six years at the Brookings Institution
in Washington, D.C., where he conducted research and wrote about American government and
politics. For fifteen years, he also served as a consultant to NBC News, where he
specialized in the networks television coverage of the United States congressional
elections. Professor Cummings has received fellowships and grants for research from the
Social Science Research Council, The National Science Foundation, The Ford Foundation, and
The Guggenheim Foundation. He is also the author or editor of a number of scholarly books,
including The Patron State: Government and the Arts in Europe, North America and
Japan (1987); Democracy Under Pressure: An Introduction to the American Political
System (1997); and Who's to Pay for the Arts: The International Search for Models
of Arts Support (1989).
William
Glade back to top
William Glade is Director of the Mexican Center and Professor of Economics at the
University of Texas at Austin. During 1987-l989, he held appointments at the Latin
American Program of the Woodrow Wilson International Center for Scholars in Washington,
D.C. and since 1989 has been a Senior Scholar with the Wilson Center. Following Senate
confirmation in fall, 1989, he held a presidential appointment for three years as
Associate Director for Educational and Cultural Affairs at the United States Information
Agency. Prior to joining the University of Texas faculty, he held appointments at the
University of Wisconsin and before that, the University of Maryland. His current research
interests include cultural industries in regional integration, the role of culture in
development, and the impact of globalization and supranational regional integration on
national policies in selected sectors and sub-national regions. He has been a consultant,
researcher, or lecturer for such organizations as the Fund for Culture of Argentina, the
Salzburg Seminar, Council of the Americas, Business International, the Conference Board,
the Inter-American Foundation, the National Planning Association, the U.S. Agency for
International Development, the U.S. Department of State, and institutions of higher
learning and research in the U.S. Europe, Latin America, the Soviet Union and China.
Stanley
Katz back to top
Stanley N. Katz, Lecturer with the rank of Professor at the Woodrow Wilson School of
Public and International Affairs, Princeton University, is Co-Director of the Princeton
Center for Arts and Cultural Policy Studies. He is President Emeritus of the American
Council of Learned Societies. His recent research has focused on private philanthropy and
its effect on public policy in the United States and he is currently studying the behavior
of non-governmental peace and conflict resolution organizations in Northern Ireland,
Israel/Palestine, and South Africa in collaboration with Professor Benjamin Gidron of Ben
Gurion University, Israel. Formerly Class of 1921 Bicentennial Professor of History of
American Law and Liberty at Princeton, Katz is a leading expert on American legal and
constitutional history. The author and editor of numerous books and articles, Professor
Katz has served as President of the Organization of American Historians and the American
Society for Legal History. At the present time, he is Vice President of the Research
Division of the American Historical Association and is a member of the Board of Trustees
of the National Cultural Alliance (Chair), The National Faculty, The Newberry Library and
Southern Methodist University. He is a member of the New Jersey Council for the
Humanities, the American Antiquarian Society, the American Philosophical Society; a Fellow
of the American Society for Legal History, the American Academy of Arts and Sciences, and
the Society of American Historians; and a Corresponding Member of the Massachusetts
Historical Society. He has honorary degrees from several universities.
Dan
J. Martin back to top
Dan Martin is Director of the Master of Arts Management (MAM) Program at
Carnegie Mellon University, a professional graduate degree program jointly sponsored by
the College of Fine Arts and the H. John Heinz III School of Public Policy and Management.
In addition, he serves as Director of Carnegie Mellon's Center for Arts Management and
Technology, an applied research, training, and service center focusing on the development
and application of information technology as a management tool for artists and arts
organizations. Prior to joining the academic community as Director of the Arts
Administration Program at The University of Akron, he spent fourteen years in
not-for-profit professional and educational theater administration. Martin consults with
arts and cultural organizations in strategic planning, information, technology, finance
management, marketing, and board development. He serves as a site evaluator for the
National Endowment for the Arts Theatre Program. He is past president of the Theatre
Association of Pennsylvania and the Association of Arts Administration Educators, a
trustee of the Pittsburgh Dance Council and Western Pennsylvania Professionals for the
Arts (Pro Arts), and a member of the advisory boards of Arts Wire and the Center for Arts
and Culture. He is the author of Guide to Arts Administration Training and Research
(1997-1999 and 1995-1997 editions) and articles in arts administration journals. Martin
received his Bachelor of Arts in Theatre from Western Michigan University and his Mater of
Fine Arts in Performing Arts Management from Brooklyn College/City University of New York.
Clement
Price back to top
Clement Price is a professor of history and chairman of the Department of
African-American Studies at Rutgers University, Newark Campus. A recipient of numerous
academic and service awards and honors, Price teaches classes in African-American history,
U.S. urban history, and the history of New Jersey. He is also director of the Rutgers
Institute on Ethnicity, Culture, and the Modern Experience, which he initiated in 1996. A
past chairman of the New Jersey State Council on the Arts, Price serves as historical
consultant for many projects and was recently appointed by Governor Christine Todd Whitman
to the New Jersey State Advisory Committee on the Preservation and Use of Ellis Island. He
is author many publications that explore Afro-American History, race relations and modern
culture, including Freedom Not Far Distant: A Documentary History of Afro-Americans in
New Jersey, and Many Voices, Many Opportunities: Cultural Pluralism and American
Arts Policy. He is completing a study of Afro-American cultural and social history in
20th century Newark, New Jersey, and a biography of Dr. Marion Thompson Wright,
a pioneering historian of New Jersey race relations. Price received bachelor's and
master's degrees from the University of Bridgeport, and a Ph.D. from Rutgers University.
Ruth Ann Stewart back to
top
Ruth Ann Stewart is Research Professor at Rutgers Universitys Center for Urban
Policy Research and the Edward J. Bloustein School of Planning and Public Policy. She is
one of editors of a book series published by Rutgers University Press, The Public Life
of the Arts. Prior to joining Rutgers in July 1997, Professor Stewart was a senior
policy analyst in arts, humanities, and social legislation at the Congressional Research
Service (the legislative research and analysis arm of the U.S. Congress) and Assistant
Librarian of Congress for education and cultural programs. She has also served as the
Assistant Director of the Schomburg Center for Research in Black Culture and Associate
Director for scholarly publishing and external services of the New York Public Library
Research Libraries.
Margaret
J. Wyszomirski back to top
Margaret J. Wyszomirski is Professor of Public Policy and Art Education and Director of
the Arts Policy and Administration Program at Ohio State University. Previously, she was
Director of the Arts Management Program at Case Western Reserve University in Cleveland,
Ohio. She is a leading scholar arts policy in the United States and has published
extensively on the subject with articles appearing in various academic journals and as
chapters in edited volumes. From 1985 to 1988, she was Director of the Graduate Public
Policy Program at Georgetown University and returned there as Senior Research Fellow from
November 1993 through December 1994. In 1988, she became a senior faculty member of the
Washington office of the Federal Executive Institute of the United States Office of
Personnel Management. In 1990, she served as staff director for the bipartisan Independent
Commission on the National Endowment for the Arts. From 1991 through 1993, she was
Director of the Office of Policy Planning, Research and Budget at the National Endowment
for the Arts. Her publications include Art, Ideology and Politics (1985); Congress
and the Arts: A Precarious Alliance? (1987); The Cost of Culture (1989); Americas
Commitment to Culture (1995); and, with Joni Cherbo, The Public Life of the Arts in
America (2000). She has edited the Journal of Arts Management, Law, and Society,
and is one of the editors of the Rutgers University Press series, The Public Life of
the Arts.
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